Last night a friend in Santa Maria, California, where Stephanie and I lived for five years, sent me an audio/video clip of the third episode of Michael Jackson: The Verdict, the three-part docuseries streaming on Netflix about Jackson’s 2005 child molestation trial.
There I was standing in the Santa Maria Courthouse parking lot tent city wearing my Mexican straw cowboy hat and briefly taking questions during a Los Angeles NBC news interview about the criminal trial I covered every day for almost five months for Sky News and the Santa Maria Times where I worked full-time as a news columnist.
I couldn’t quite catch what I said in the short clip and don’t subscribe to Netflix so I won’t be watching the show. I know how it ends, though, because I played a role in the spectacle and know far more behind-the-scenes revelations than the documentary reports.
Laughing jurors in a tented break area mocking a youth pastor who had just testified Jackson sexually molested him as a child. Media members sent home for having sex in a satellite truck. Me getting assaulted by a city cop as I showed my press pass and jogged alongside Jackson’s vehicle guarded by Black Muslim bodyguards. One of Jackson’s local investigators I knew who shot and killed himself after the trial.
Mostly, I remember Michael Jackson walking slowly to where I sat alone in the courtroom one day, the last person other than him to leave during a break, stopping, reaching out his hand, leaning in close and whispering, “How are you?”
“Good,” I said. “How are you?”
I took Jackson’s pale oversized hand, felt him squeeze my fingers and not let go until I pulled my hand away when the moment felt awkward and just plain weird. We stared silently at each other for a few intense seconds until he moved on like the nightmarish ghost of the Bad World Tour past.
Michael Jackson knew I knew he was guilty.
Michael Jackson was afraid.
Although I can’t draw well, I later sketched an ink portrait of him sitting at the defense table. I called the drawing “The Michael Jackson Death Mask.” The superstar defendant looked dead. He just didn’t know it.
Before the trial started Jackson publicist Raymone Baine, who is interviewed in the Netflex story, told me Jackson was reading my early columns about his arrest. She said he liked them so much he invited me to visit his home at Neverland. I’ll always remember Baine sitting on Geraldo Rivera’s lap behind me on the little train that circled the freaky Neverland amusement park.
But as the trial progressed, my newspaper columns and twice-a-day live Sky News commentary that reached dozens of European countries unnerved Jackson. When other journalists asked Jackson how he was feeling during a break, he flinched when I asked if he thought about the anguish he’d experience if he went to prison.
After jurors reached a verdict, sitting in the row behind the Jackson family including Janet and LaToya, I watched Michael sit expressionless as each of 10 not guilty verdicts echoed through the tense yet otherwise silent courtroom.
The Netflix evaluation of the trial and verdict fails to offer a clear position on Jackson’s guilt or innocence.
Only three people I know among more than 2,200 credentialed media from around the world took a bold public stand on Jackson’s guilt or innocence. Vanity Fair’s Maureen Orth, Court TV’s Diane Dimond and I agreed the evidence prosecutors presented at trial proved Jackson guilty beyond any reasonable doubt.
Jackson’s guilt seemed clear to me.
More than 20 years later it still does.